Production Notes

Official Information about Star Trek: Nemesis

In the proud tradition of the most successful franchises in entertainment history, “Star Trek Nemesis” is the latest intergalactic adventure to join its triumphant predecessors. Growing at warp speed since its inception in 1966, the Star Trek motion picture franchise has earned a collective worldwide gross exceeding $1 billion at the box office and has generated well over $3.5 billion from consumer products. With the success of Star Trek: The Experience, a 65,000-square-foot Las Vegas theme park, which has greeted over 2.2 million visitors since its launch in 1998, and given the fact that ten “Star Trek” books are sold every sixty seconds, one thing is universally clear -- when it comes to “Star Trek” . . . there simply is no final frontier.

In “Star Trek Nemesis,” Captain Jean-Luc Picard  (Patrick Stewart) and the Enterprise crew find themselves on a diplomatic mission to initiate peace with the Romulans. But upon arrival on the alien planet, the crew is faced with a threat that could lead to Earth’s destruction, and Picard meets his most dangerous adversary yet, a surprisingly personal nemesis.

Paramount Pictures presents “Star Trek Nemesis,” a Rick Berman production. Reprising their starring roles as the crew of the Starship Enterprise are Patrick Stewart (Captain Jean-Luc Picard), Jonathan Frakes (Commander William T. Riker), Brent Spiner (Lieutenant Commander Data), LeVar Burton (Lieutenant Commander Geordi LaForge), Michael Dorn (Lieutenant Commander Worf), Gates McFadden (Dr. Beverly Crusher) and Marina Sirtis (Counselor Deanna Troi). Produced by Rick Berman and directed by Stuart Baird, the screenplay is by John Logan from a story by John Logan & Rick Berman & Brent Spiner and is based upon “Star Trek,” created by Gene Roddenberry. Marty Hornstein serves as executive producer and Peter Lauritson is co-producer.

Joining the cast are Tom Hardy (“Black Hawk Down,” “Band of Brothers”) as the villainous Shinzon and Ron Perlman (“Enemy at the Gates,” “Blade II”) as the Reman Viceroy.

Paramount Pictures is part of the entertainment operations of Viacom Inc., one of the world’s largest entertainment and media companies and a leader in the production, promotion and distribution of entertainment, news, sports and music.

This film is rated PG-13 for sci-fi action, violence and peril, and a scene of sexual content.

The Story

After years of traveling the universe preserving tranquility and promoting goodwill toward humans and aliens alike, the intrepid Starship crew that Captain Jean-Luc Picard (Patrick Stewart) has long thought of as his family is breaking up. Officer William T. Riker (Jonathan Frakes) has married the Enterprise’s Counselor Deanna Troi (Marina Sirtis), and now Riker will assume the captaincy of the U.S.S. Titan.

As the U.S.S. Enterprise travels from Riker’s wedding in his native Alaska toward Troi’s homeworld of Betazed, where a second ceremony will be performed, Chief Engineer Geordi La Forge (LeVar Burton) detects an unusual electromagnetic signature from the nearby planet of Kolarus III. A quick search uncovers the dismantled pieces of an android -- one that might prove to be the prototype of the Enterprise’s own Lieutenant Commander Data (Brent Spiner).

Back on course to Betazed, the starship is diverted once more when Picard receives a message from Admiral Janeway (Kate Mulgrew) that the Romulans, longtime enemies of the Federation, have undergone a political upheaval, and their new leader, the Praetor, wants to discuss a peace treaty with the Federation. The Enterprise is the closest starship to the Neutral Zone; thus, it is up to Picard and his crew to respond . . . and determine the Praetor’s sincerity.

Upon their arrival, Picard is amazed to learn that the new Praetor isn’t a Romulan at all but a native of Romulus’ sister planet Remus. Called Shinzon (Tom Hardy), the leader is neither Romulan nor Reman, but rather, in fact, a human replica of Jean-Luc Picard originally bio-engineered by the Romulans to be substituted for the captain as a weapon against the Federation. That plan, however, was abandoned long ago, and Shinzon was exiled to the dilithium mines of Remus.

Unfortunately, Shinzon did not disappear as the Romulans had intended. Instead, he was taken under the wing of the enigmatic Reman Viceroy (Ron Perlman), who helped him grow in strength and power, so much so that now Shinzon has successfully assumed military rule over his creators and become the new Romulan Praetor.
While Shinzon assures Picard that the Romulans desire a peace treaty, is he really interested in aligning with the Federation? In possession of a weapon of immeasurable destruction, Shinzon has the power to destroy the Enterprise and her crew. He even has the means to annihilate Earth. And, of course, Shinzon is stoking a particular malevolence for Picard, who finds himself face-to-face with the most dangerous enemy of his life.

“‘Star Trek Nemesis’ is a story about accepting change,” says producer Rick Berman. “It’s a story of passages, of a family that we have known for many years fracturing and moving on their separate ways.”

“It’s also a tale about loyalty and courage,” adds Patrick Stewart. “It shows how people behave under the most extreme and seemingly hopeless of circumstances.”

The genesis for “Star Trek Nemesis” began, curiously enough, on Broadway. It was there, while starring in a revival of “1776,” that Brent Spiner was introduced to screenwriter John Logan. Spiner soon found that the writer was, by his own proclamation, “the biggest Star Trek fan in the world,” so when Spiner mentioned that Rick Berman had contacted him about the possibility of a new Star Trek film, Logan suggested he and Spiner write it. The two men approached Berman, who, along with Spiner and Logan, came up with perhaps Star Trek’s most unique plot yet.

“In a movie like this, the central driving force is the conflict between the hero and the villain,” says Logan. “Rick, Brent and I set out to create an enemy for Picard that would have a personal resonance with him, and we hit upon the simple idea of Picard versus Picard; that is, a younger, more vital version of himself facing the Picard that we know. We all found that incredibly exciting for the sparks it could create.”

Patrick Stewart agreed with the writer wholeheartedly. “The plot gives the narrative an extra complexity in that the villain of the story is also, in many respects, the hero of the story, too. Shinzon has so many of the qualities of Picard, and yet these qualities are warped by his background.”

“John knows more about Star Trek than anybody I know,” says Berman. “I was entranced by his writing capabilities and his love for all of these characters. He gave us a script that takes place almost entirely in space, with lots of action and a terrific villain in the grandest sense of the word. And let’s face it—great villains make great movies.”

For Logan, whose “Gladiator” screenplay garnered him an Oscar® nomination in 2001, creating a simple hero-versus-villain plotline wasn’t enough. So, besides developing a doppelganger for Picard, he decided to make a B-4 android prototype double for Data to encounter as well.

“I felt that if Picard were going to be fighting his clone, putting Data in a similar situation would enhance the danger,” explains Logan, adding that all in all, the fact that he was writing a Star Trek film was “a dream come true.”
With the story fleshed out and the script well underway, producer Berman began his search for a director. Stuart Baird, a two-time Oscar® nominee for editing “Gorillas in the Mist” and “Superman,” and the director of “Executive Decision” and “U.S. Marshals,” got the call.

“Even though Stuart knew less about Star Trek than any director we’d ever worked with, I was immediately impressed with him,” recalls Berman. “He got what Star Trek is about and he came in and gave this movie a look and feel that we hadn’t had before.”

“While at first I wasn’t well acquainted with the Star Trek universe, in doing some research, I found myself quite taken with it,” admits Baird. “The characters and plots are very engrossing, and I now understand why this series has endured for all this time. I wanted to continue the story and not just make a great Star Trek movie, but rather a great movie overall. That’s what Rick Berman was looking for when he asked me to direct, and after reading John Logan’s script, my decision was an easy one. In fact, if Star Trek had never existed, and John’s screenplay didn’t feature the characters Picard, Data and the others, I still would have wanted to direct a script as good as this one.”
Jonathan Frakes, who directed two of the previous films, “Star Trek: First Contact” and “Star Trek: Insurrection,” offered one hint to his fellow director.

“It’s not easy to come into someone else’s house, so I tried to prepare Stuart for the familiarity of this group,” says Frakes. “I explained that there’s a certain rowdiness among us that he shouldn’t interpret as a lack of respect. We’re wild and childlike and we rough-house with each other and kid each other constantly, but it’s all in good fun.”
As Baird began to settle into the production, he found out that Frakes wasn’t kidding -- at times the set felt like “Camp Star Trek” and he was the counselor.

“What is extraordinary is everyone’s genuine fondness for one another,” says Baird. “In fact, because everyone got along so well it made my job a lot easier. Also, because everyone obviously knew their characters much more intimately than I ever could, I learned to trust their instincts. That freed me to pay more attention to other aspects of the production. It was a real luxury working with such a well-seasoned cast.”

About the Production

“Star Trek Nemesis” began principal photography on November 26, 2001, in California’s Mojave Desert, not far from Edwards Air Force Base, and wrapped on March 7, 2002, in Los Angeles. By starting with the desert scenes—Captain Picard driving an Argo, a 24th century off-road vehicle—Stuart Baird established the rapid pace of the action that was to come.

Weeks before the scenes were filmed, Stewart had practiced driving the vehicle in a quarry. “It was extremely powerful, and I got a lot of pleasure out of driving it,” says the actor, who, when it came time to go in front of the cameras, made full use of his training, and did more than 90 percent of the driving required for the spectacular chase scene.

At the conclusion of the sequence, the production returned to Los Angeles and Paramount Studios, where the entire cast experienced an eerie sense of dejá vu. For Stewart, the reunion “had a slightly unnerving feeling, in a kind of Rip Van Winkle way.”

LeVar Burton, who returns as Geordi La Forge, agrees: “It was spooky replaying my character, but in a good way. Every time the cast comes back together, we pick it up as if we all were doing this the previous day, as opposed to, in this case, three years ago.”

“As we were filming in the corridors of the Enterprise,” recalls Jonathan Frakes, “I looked over and saw Patrick, Brent, Marina and LeVar. It was as if time had stopped and the same kibitzing that we’ve all cherished over the years was going on. I loved seeing my old friends again, and it was nice to meet some new friends as well.”

Those new friends included actor Tom Hardy, who was eager to join the ranks of Star Trek’s infamous villains. “Shinzon is a dynamic, young, bitter, helpless individual who comes to battle the man he was supposed to be . . . the man he felt he deserved to be,” Hardy observes of his character. “He’s torn between all he knows, based on his past, and what he believes he has the potential to be, in the form of Picard. As an actor, I found a human soul within the character and that made him a very interesting villain.”

Casting Shinzon proved to be a demanding task for the filmmakers. Not only did the person portraying him have to be a competent enough actor to hold his own opposite Patrick Stewart, but he also had to look enough like Stewart so that the audience would buy him as both a dead-ringer of Picard and a younger version of him, too.

“It’s not easy to find an actor who can inhabit the technical demands of such a role, while also having to look like someone else,” says Stewart, who had nothing but praise for Hardy’s performance. “Tom came through splendidly.”

While Hardy bore a resemblance to Stewart, some adjustments had to be made to his appearance, and that’s when makeup designer Michael Westmore worked his magic.

“Since Tom doesn’t have a cleft in his chin and because his nose is quite different, I had to sculpt a latex nose and chin for him,” says Westmore. “And, of course, I shaved his head. When the two of them did profile shots, or when they were in scenes together, there was definitely a feeling of a relationship between them, but they weren’t identical.”
The process of turning Hardy into a Stewart lookalike took a couple of hours each day before shooting, but Hardy wasn’t alone during those long makeup sessions. Veteran Star Trek cast members Brent Spiner and Michael Dorn, who were daily transformed into their respective characters, Data and Worf, spent hours having their makeup done just as they had during their seven seasons on the television series and the three previous feature films.

Also joining Hardy, Spiner and Dorn in the makeup chair was Ron Perlman, who was no stranger to prosthetics, having spent three seasons as the star of the popular television series “Beauty and the Beast.” His transformation into the Reman Viceroy took two-and-a-half hours.

“My character is the power behind the power, a little like Shakespeare’s character Iago,” Perlman says. “The Reman Viceroy is shrouded in mystery, so the particular challenge was to portray him in a minimal, selective way, rooted in stillness. That’s a cool thing for an actor to wrap his teeth around.”

Because Perlman’s character is an alien species audiences have never seen before, the actor had the luxury of taking risks with the role, and makeup designer Michael Westmore had unlimited possibilities in creating the look of the evil Reman Viceroy.

“Remans live on a planet that gets sunlight only a fraction of the time,” Westmore notes, “so the filmmakers wanted them to have an almost Nosferatu look about them without making them into vampires.”

As for the Reman ship, the Scimitar, which is three times as large as the Enterprise, production designer Herman Zimmerman took his design cue from a breastplate that costume designer Bob Ringwood fashioned for the Remans.

“I extrapolated that breastplate into the cross bracing I used to build the ship,” explains Zimmerman. “Then the same design motif carried itself through everything until it eventually circled back to the wardrobe department in the form of belt buckles for the Reman uniforms.”

Such rippling of ideas doesn’t surprise producer Rick Berman. “Over the course of 15 years we’ve put together a family of people, so we communicate in our own kind of shorthand,” says Berman. “As a result, we avoid that period when everyone has to adjust to one another’s style of work.”

As the production wrapped, director Stuart Baird was satisfied that the arduous journey he had undertaken was well worth the trip. “Everyone involved with the film was very generous in sharing his or her vast experience,” he says. “In the end, I feel we produced a film that will be appreciated by loyal Star Trek fans, and I also think we’ll give those who have never experienced a Star Trek movie an exciting introduction to a wonderful new universe.”